135 What’s Needed for Voiceover Recording. 119 Troubleshooting Transfers and Ingest.128 CHAPTER 7 Voiceover Recording a Dialog Replacement. 96 CHAPTER 6 Getting Audio into the Computer. 83 Different Media are Heard Differently. 34 CHAPTER 3 The Studio: Equipment and Wiring. 22 CHAPTER 2 The Studio: Acoustics and Monitoring. xi CHAPTER 1 Vibrations to Volts to Bits. Typeset by Charon Tec Ltd., A Macmillan Company (Printed in the United States of AmericaĪCKNOWLEDGMENTS. ISBN: 978-1-8 ISBN: 978-1-5 (CD-ROM) For information on all Focal Press publications visit our website at 08 09 10 11 Permissions may be sought directly from Elsevier’s Science & Technology Rights Department in Oxford, UK: phone: ($4) 1865 843830, fax: ($4) 1865 853333, E-mail: You may also complete your request on-line via the Elsevier homepage (), by selecting “Support & Contact” then “Copyright and Permission” and then “Obtaining Permissions.” Library of Congress Cataloging-in-Publication Data Application submitted British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. TOKYO Focal Press is an imprint of Elsevierįocal Press is an imprint of Elsevier 30 Corporate Drive, Suite 400, Burlington, MA 01803, USA Linacre House, Jordan Hill, Oxford OX2 8DP, UK Copyright © 2009, Jay Rose.Audio Postproduction for Film and Video, 2nd Edition
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